Oomie Lecomte’s film A Brand New Life fills an interesting position in the pantheon of Korean cinema. It is a woman’s film made by a foreigner, and by that token alone it is somewhat of an anomaly. While decidedly European in many aspects, it still succeeds in engaging with many thematic elements commonly associated with Korean cinema. In addition, the film is set in 1975 and features a storyline where characters with unfortunate pasts come and go as circumstances beyond their control dictate.
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