By Pierce Conran Expectations play a large role in how we consume and react to cinema, particularly in the commercial realm. Genre formulas ...
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Arrested development has been a very prescient theme in Western media. The man-child, geek, otaku; no matter what you call it we are living ...
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In an era of oversaturation at the cineplex, with countless retreads and follow-ups dominating the marquees, sometimes a gimmick is just the...
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Part of MKC's Revenge Week (July 8-14, 2013). As a society Korea has been slow to change despite its economic growth. At times it can ...
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As a society Korea has been slow to change despite its economic growth. At times it can seem like a gigantic, perpetually simmering pot of d...
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Kong Quee-hyun directed his debut U.F.O. last year. His film premiered at the Pucheon International Fantastic Film Festival and following a ...
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One of the recurring motifs in Korean cinema is the representation of repressed trauma. Whether as a lazy deus ex machina in a rote romcom o...
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An in-depth interview with Ji Ha-jean, the up-and-coming director behind the award-winning low-budget western Bloody Fight in Iron-Rock Vall...
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