Part of MKC's coverage of the 3rd Yeonghwa: Korean Cinema Today event at NY's Museum of Modern Art. (previously published).
First impressions are important and as film viewers we are particularly prone to making rash decisions based upon the opening moments of anything we watch. This is perhaps even more important in this day and age as multimedia is so readily accessible. Our already short attention spans are dwindling ever further as we can easily switch between TV channels, on demand, stored digital, and portable media. Those first few minutes of a film can dispense a large volume of information but even so, they cannot always prepare you for what you are going to see. Opening scenes are important but not every kind of film can benefit from a flashy beginning.
One of this year’s most successful Korean films, Blind does not get off to the greatest start and blunders on through the first act with heavy feet, trampling through the early stages of the plot. Subtlety is not the film’s strong suit and the quicker this is accepted, the better. Once I got used to the heavy-handedness of the proceedings I was able to enjoy myself but the film walks a dangerous line from the start. It doesn’t really announce itself properly and seems like a relatively sober affair at first, it is only as it continues in unsubtle fashion and when things become even more ridiculous that you begin to understand the intent of the film, which is to be a trashy and entertaining potboiler. It does succeed on that last count, but it takes a while to get there and is not without its fair share of problems.
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